From 1981 and their debut on the Beggars Banquet label. Produced with Ian Little
A huge Bass synth introduces this little gem, this sits along side plenty of funk and vibe. A Summery vibe on these freeezing days. Peter Maas pops his bass guitar. Disgracefully good !
A fine Jazz Funk jam on the B-side. A versatile band.
From the ashes of late 70’s Rock Band No Dice, Richard Strange (Bassist) and Roger Ferris (Vocals) formed a band with the help of Ian Curnow and Phil Harding. Released in 1988
Wasn’t a hit even though it was catchy and steeped in Hi-NRG arrangement. There is more than a hint of Propaganda’s “P-Machinery” in that synth riff. Very Euro.
Proper Roots Reggae from the compilation “Forever Faithless (The Greatest Hits)”. A re-recorded version with some nostalgic lyrics and a chilled, trippy ending on this extended version.
Planet Funk (the Italian band) go a bit EDM on their 2 mixes.
Beginerz provide the usual uplifting House track, nothing too special but a solid groove.
Goldrun (Nail Tolliday and Simon Mills from Bent) drop Ian Dury (Reasons to Be Cheerful) and “Ain’t Nobody” riff and go for a retro 80’s funk workout with plenty of Maxi.
No we haven’t finished with these delightful and rare Razormaid comps.
Back to 1986 and featuring more well known artists but obscure tracks.
The Cabs have a track from “The Arm, The Sword….” Razored successfully. Pete Shelley’s track has more overdubbed percussion and some additional edits. Not sure about the cheesy sample hook tho!
A slower , moodier track from Hazell Dean. Still Hi-NRG in arrangement. A cover of a Millie Jackson track from 1983. Guitar licks aplenty.
More experimental French synth with Michel Moers (Telex) and Victor Szell (Z-Moor-Z) get funky with their samplers. Sung in French with , leftfield and quirky, some Early New Beat.
“The Calling” rattles in at Hi-NRG pace, not Bronski Beat btw !!
Sylvester completes more Hi-NRG on their ’87 track. Cue a rocky guitar solo and more synth blasts.
“Wicked Ways” brings back the Funk and real bass and decent Blow Monkeys.
An interesting closing track from UK’s Kino. The trio consisted of Sarah Gregory (former member of “Allez Allez”, “Marine”, “Repetition” and ex- wife of Glen Gregory), Schengel (former member of “Psychotic Tanks”, “Tank Of Danzig”) and Andreas Thein (former member of “Propaganda”, “Rififi”) – Synth pop with a bit of style.
More from this Irish band, released in 1988 and the A was produced by Paul Hardiman.
Taken from the album ”Voice Of Reason” (Link below)
A couple of self-produced B-sides are much more electronic. “Leaving…” , an instrumental, is a moody bit of Irish Folk. Another instrumental, “I Like It…” mixes in the synths and samples with some nice guitar work, very Soundtrack-like.
From January 1988 and a debut on here from the duo of Rock singer and guitarist Dave Lloyd (who was in Liverpool 70’s Rock Band Nutz, and 80’s band Rage) and tech / studio boffin and guitarist, Mark Thomas.
Labelled as British AOR Westcoast, a Scouse duo produced by Jeremy Lewis (Founder of Amazon Studios in Liverpool) and Geoff Higgins. It was mixed by US Producer Neil Dorfsman to give it that US flavour.
This came from their only album, “When Every Second Counts” from the previous year.
From March 1987 and their debut release on Mute is this militaristic Cover of Queen’s “One Vision”, daft but disturbing in equal message. I’ve always had a liking for the band, Rammstein nicked a lot from their sound. They enjoyed re-inventing and are still going strong.
The use of horns, fireworks and crowd noise plus the accompanying video certainly made you take notice. Simple but effective.
“Live Is Life” is actually an instrumental version and a bit disappointing compared to the pomp of the A-side.
(Please don’t make me suffer from “RIP Anxiety” but feedback would be welcome.)
So Phillinganes was Michael Jackson’s keyboard player and it was to have been included on Michael Jackson’s Thriller, but never made it. A cover of Y.M.O’s 1980 track. Eric Clapton covered it later in 1987.
Produced by Richard Perry this is the not credited extended version.
The Instrumental has just the vocoder left in, revealing quite a repetitive arrangement
The little gem here is “Only You” a track co-written with Bill Withers. Funky as with a synth bassline, piano solo and plenty electronic rhythms. A lost Withers classic.