Continuing with more early 80’s synthpop and this classic from Germany’s Alphaville, here in the 12 inch form! Formed in 1982 the original lineup was: Marian Gold (vocals), Bernhard Lloyd (keyboards), Frank Mertens (keyboards), Ricky Echolette (guitar, keyboards) They had quite a lot of success in Europe but this was the only real chart success in the UK. I’d not heard the instrumental before but I think the extended remix (both by Zeus B. Held) appears on a lot of 80’s compilations. There’s more guitar than I remember and some nice fretless bass. Times are nowhere near what they say on the sleeve.
WEA Records Ltd X 9505 T
|A||Big In Japan (Extended Remix)||7:25|
|B||Big In Japan (Extended Instrumental)||6:10|
First heard this back in 1980, at the Saturday afternoon kid’s Disco, Champer’s in Barrow. This made a real impression on me, even though the synth pulse sounded a bit like OMD’s “Messages”. The Rock N Roll vocal delivery and the classic lyrics were typical of the early 80’s so much so I seem to know them all of by heart. Sounds a little bit basic and tinny now, but to me it was the sound of the future. They proudly proclaimed they didn’t use sequencers on there records- beware the new technology. So they were American (I didn’t know this at the time) and shades of Suicide and Talking Heads have been identified. The more song based and my preferred track ,” Airline” (it even has piano) was in fact a double A side when this was originally released. The “Club” version has rerecorded vocals and live drums by Simon Phillips (Judas Priests drummer!) and was co-produced by synth producer, Colin Thurston. It just gives it a bit more of a live edge which I prefer.
12 EA 124
|A1||Lawnchairs (Original Version)||3:25|
|B||Lawnchairs (Dance Club Version)||3:18|
I’m going to dedicate the next few posts to the synthesizer and my childhood obsession with it.
From 1981 and after having two massive hits with “Stop the Cavalry” and “You’ll Always Find Me In The Kitchen At Parties.” British eccentric and long time stalwart on Stiff Records, Jona Lewie was still using the synth to pen tunes that suited the weird and wacky. He obviously had a passion for Roxy Music and Ferry with his vocal delivery however this flopped but This was a massive hit in Australia! B-side is a more instrumental version of the A-side with wonky synths and chanted chorus, like as if Chas & Dave had bought a Moog! Both racks weighing in under 4 minutes, so much for overlong remixes, it was 1981!
Welcome to Hot Chip’s great Uncle.
|A||Louise (We Get It Right) (Extended Version)|
|B||It Never Will Go Wrong|
A haunting but overlooked track by the Eurythmics from 1985 and reworked from their soundtrack album of the film “1984” an adaption of the George Orwell masterpiece. Annie Lennox has her voice electronically harmonised decades before it became the norm, very Bjork at the beginning.It beautifully describes the impossible love between Winston and Julia who were destined to eventually betray each other. Respected producer/mixer Eric R. Thorngren joins David A Stewart in the studio to provide extra polish. B-side has a World Music flavour to it, lots of chanting and very haunting
|A||Julia (Extended Mix)||6:37|
|B||Ministry Of Love (Extended Mix)||5:13|
One of my own (for a change) and four sumptuous and long remixes of this classic from 1985. This was released to promote the album “Zance” celebrating 10 years of dance mixes by ZTT. Under the watchful ear of Trevor Horn, these mixes span a variety of styles from a variety of remixers. Starting off with Dancin’ Danny D (D-MOB) which sticks quite faithfully to the original with his own trademark groove underpinning it, nicely updated. Ollie Dagois is more a harder house track, which only nods to the original at the end. T-Empo builds nicely and is a smooth groove with a bouncing bassline. My favourite is the string enhanced mix by Manchester’s own Love To Infinity team (the Lee brothers) using orchestral parts from the original masters, classic!
|A1||Slave To The Rhythm (D Monster Mix)||9:51|
|A2||Slave To The Rhythm (Ollie D Gyro Disney Dub)||6:25|
|B1||Slave To The Rhythm (The T-Empo Grace In Your Face ’94 Overture)||8:29|
|B2||Slave To The Rhythm (Love To Infinity Classic Paradise 12″ Mix)||7:44|
Last one from Mike and a very interesting post to share. Released in 1991 as a promotional twelve for a PETA compiled album of the same name which featured The Pretenders, Belinda Carlisle, The B-52’s, kd lang as well as the artists on here.
Fan’s of Howard Jones, Erasure, Jane Weidlin, Lene Lovich and Nina Hagan will love this as it includes rare dance remixes of the tracks featured on the album.
From the back of the sleeve.
“TAME YOURSELF” is an anthology of exclusive songs produced to benefit People for the Ethical Treatment of Animals (PETA), the world’s largest animal rights organization. PETA’s efforts include educational programs, public events and demonstrations, litigation, advertisements, and investigations into animal cruelty in laboratories, the fur and meat trades, the entertainment industry, and other areas. PETA is a nonprofit organization, founded in 1980.”
Howard Jones gets the remix treatment by Tony Garcia (Depeche Mode, New Order, Billy Idol et al) giving it the early 90’s dance gizmo’s. Jones, himself, provides a groovy dub mix with some great synth playing as you’d expect. Jane Weidlin (ex-Go Go’s guitarist) gets remixed by James Hood (Moodswings) with plenty of layered beats and lush synths. Erasure collaborate with the great Lene Lovich with “Rage” both being remixed by Garcia. The track was originally on Lovich’s album, “March.” A powerful message with a great chorus, it has been given a tougher mix than the album original. The “Dub” mix is a bit of an early 90’s dancefloor monster, using the Renegade Soundwave “Phantom” drum break with Pet Shop Boys type sequencers. Finally the 2 Grand Dames of Weird, Lovich and Nina Hagen get their original 1986 track remixed by James Hood (as JFT Hood) Arpeggio-ing into almost a trance remake. But , oh those lyrics!
All very rare and obscure tracks, thanks a million Mike!
NEW LINK 2018
Rhino New Artists – PRO1 90082
|A1||Howard Jones||Don’t Be Part Of It (Moo Mix)||5:40|
|A2||Howard Jones||Don’t Be Part Of It (Dub)||5:32|
|A3||Jane Wiedlin||Fur (Faux Version)||6:46|
|AA1||Erasure & Lene Lovich||Rage (Vitamitavegemix)||7:40|
|AA2||Erasure & Lene Lovich||Rage (Dub)||4:55|
|AA3||Nina Hagen & Lene Lovich||Don’t Kill The Animals (Rescue Remix)||6:05|
Another one from Mike and something I’ve never heard before. Swedish synthpop from 1987. Very boy bandish with some guitars thrown in over the top.The song doesn’t have any verses,if you check out the Radio Edit ! Some interesting synth sounds , Keep thinking of Tiffany’s “I Think We’re Alone Now” Difficult to find any information on the band on the web. It was remixed by Christer Modig, aka Swedish Chris,a well respected dance remixer from the late 80’s and originally came out in 1985. It became one of Richard Blades favourite, him off the legendary KROQ radio station.
Didn’t realise it had appeared on Sandman’s superb blog, http://www.offthebeatentrax2.wordpress.com, only last month, sorry mate 🙂 I hate posting stuff that maybe already out on one of my fellow blogger’s blog.
|A1||Nevermore (The More More Mix)||7:35|
|A2||Nevermore (Radio Edit)||4:13|
|B1||Nevermore (Dub More Dub)||7:10|
|B2||Nevermore (Rock ‘N’ Radio Edit)||4:42|
Shocked? I think I was….
If you only know Adam Ant as the Dandy Highwayman or Prince Charming this may come as a bit of a surprise. From 1990 and off the album, ‘Manners & Physique,’ it was only released in a few countries. Produced by André Cymone (ex-bass player with Prince and former husband of Jody Watley) so you will get the idea of the sort of sound on here, Adam Ant going all electronic. Very interesting even though Was (Not Was) would have been a bit peeved with the “Booom-lacka-Boom” steal from “Walk The Dinosaur” The “Extended Mix. sees Justin Strauss gives the production an extra bit of electronic gloss but those lyrics, mmmmmmm? The “Alternative Mix” is definite synth pop and it even has some sub-bass in it!
One for the fans and the completists!
Thanks Mike for this one!
|A1||Rough Stuff (Extended Version)||6:46|
|A2||Rough Stuff (7″ Edit)||4:08|
|B1||Rough Stuff (Alternative Mix)||7:00|
|B2||Rough Stuff (Dub Mix)||6:46|
I’d better get my thumb out and do some posting, I’ve loads to post myself but here is more from Mike.
The Fixx were bigger in the US than over here ( I think, in later years, rockers Bush had the same distinction!) Too pop to be alternative at the time but too different to blend in with the sugary pop of the time. From the 1986 album “Walkabout” and produced by Rupert Hine (Howard Jones, Rush et al) the experimental and preferred mix (No Familiarity Son Version) starts off like a horror film and keeps on with the synth pop with thevocals being replaced Flinstone and news bite samples, nice! The “Rock” mix brings the guitars to the front of the mix and the album version is also
MCA Records L33-17181
|A||Built For The Future (12″ Rock Version)||5:56|
|B1||Built For The Future (Album Version)||4:07|
|B2||Built For The Future (No Familiarity Son Version)||7:17|
NEW LINK !!! 2016
From 1983 and Marc Almond’s first project since leaving Soft Cell. Drum Machine led Gypsy Punk with a Young Flood in the studio. Off the album “Torment and Torreros” but the 12″ has different verses. Farfisa organ, flute and chamber strings,
B-side “Your Aura” has more conventional instrumentation even The The’s Matt Johnson guests on vocals and it has sultry saxophone and piano. A classic bit of New Wave with a sample of a film who’s name escapes me at the end.
“Mamba” goes all Spanish , all castanets and guitar and sparse production (Damn the vinyl, oh for a better copy!) Builds up to a string and guitar duel off climax a 12 minute epic!
NEW LINK 2018
(Not the best vinyl I’ve had to rip, please excuse the crackles! (“Your Aura” especially) It is a rare-ish piece of vinyl and has obviously been well loved)