The weird choice of a follow up single to “Wishing”, much darker more guitar orientated. Helped by the legendary Mike Howlett at his Conny Plank’s studio, it as Siouxie & The Banshees style guitars thanks to Paul Reynolds and driving bass by Frank Maudsley.
“Rosenmontag” (after the German Festival “Rose Monday”) is a weird electronic experiment, the sort that Ultravox liked to knock out as a b-side. Pounding and more electronic than their usual stuff.
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